This is not my typical experience, but I actually completed every musical goal I set at the begining of the year. I’m just as surprised as anyone. My first goal was to be a singer-songwriter again. For most of 2020, I had zero shows. I stayed in my room making electronic beats, which I loved, but I missed my acoustic roots. This year I played a ton of shows, wrote new songs, and started recording an EP (my first singer-songwriter release since 2019). My second goal was to

I haven’t dropped a singer-songwriter track since May of 2019. Since then I’ve been working on other projects, releasing videos, and finishing up my degree. It’s easy to use busyness as an excuse, but it doesn’t tell the full story. As someone who has watched six hours of Squid Game in one day, I can tell you it’s not a lack of time. A couple of months ago I was planning to buy a new microphone specifically for my singer-songwriter EP. I had been using an MXL 990 to recor

This Summer, I started teaching guitar lessons. It’s been interesting learning guitar again through beginners’ eyes and hearing their perspectives. A variation of this question comes up again and again: “What’s the secret?” When they’re struggling, beginner’s tend to think that they’re doing something wrong; they want a quick tip or trick that’ll resolve everything. The answer I give rarely satisfies them, but it’s the only answer that’s true. “There’s no secret. You jus

Today I’m going to talk about something I learned in music school. It’s called “offloading” and it’s one of the reasons I was able to write 50 songs in 2020. In songwriting you have these creative tasks: chord progressions, melodies, basslines, drum patterns, lyrics, sound design, etc. Offloading means to take one of these tasks and rather than generate it creatively, you offload it to a different source. This happens when you take a chord progression from another song, use

I’m sitting in a room at my parents’ house right now, and I just finished a beat. I’m moving out soon and much of my stuff is packed. I’m listening to Tycho on headphones (Epoch). He’s been my go-to writing music ever since I started this blog in 2018. Since then, I’ve learned so much, and there’s a lot I want to accomplish. Here are my musical goals for 2021. 1) Be a singer-songwriter again. I started performing as a singer-songwriter in 2013, and because of the pandem

This December I graduated college and I celebrated by releasing a lofi EP. I wanted something commemorative of the college experience, and what better way than by making chill beats to study / relax to? Not to mention, I love lofi. I dropped it during finals week in the hopes of attracting more student listeners. I started the writing process in June. I know firsthand the annoyance of putting together an EP and not liking all of the songs. I usually handle this by releas

I am in my final semester of college, and what a semester to go out on. I keep thinking that if I had graduated in the spring, I would have avoided a lot of hassle. At the same time, it’s a unique experience not everyone goes through. I have mixed feelings. I’m a senior in the Music Industry program at MSU Mankato, and a lot has changed. Some classes are online, others in-person, but most are “Hyflex,” meaning students can decide whether to attend online or on campus. Th

I’m the type of person who wants to do a lot of creative projects, so many in fact, that the vast majority never get done.  A lot of times I just don’t know where to start, so I don’t.  What I’m learning again and again is that you need to be decisive to be creative.  Creating involves making a choice, and if we find ourselves unable to choose, we’re unable to create. In my Music Promotion class, we were given a video assignment.  We had to make weekly videos, three to five m

I haven’t posted in a hot minute, and it’s pretty clear I’ve lost traction.  I used to post once a week, but it’s been months since I’ve done anything consistent.  I’d like to put the blame on the fact that I’m taking a heavier load this semester, but the simple fact is I could be doing better. One of the reasons I’ve failed is because I broke out of my routine.  Last semester I had a large amount of free time every Tuesday, and I spent it in the library working on my blog. 

It’s a good question to ask, and the answer isn’t always obvious.  When compiling songs for Chasing Ghosts, I was constantly changing my mind about which songs to include.  I had about ten songs I liked, but wanted to release five.  One of these songs was “Maybe Next Time.” When my roommates heard it for the first time, it instantly became their favorite.  They regularly requested it at shows and were very encouraging, so I decided to record it.  When I released the EP, a lot

I’m a big fan of to-do lists, making a list of what needs to be done on a daily basis and holding myself accountable.  It does wonders for my productivity and stops projects from falling through the cracks. Every week I’ve been trying to post a video and a blog post.  Since school ended, I’ve been missing weeks.  Somehow, with more free time, I’m getting less done.  I attribute this to the illusion of more time phenomenon, a phrase I just made up.  Basically, when you have a

When I thought about demos, I used to imagine a shittier version of the final song: badly recorded, unedited, and with a sub-par performance.  I used to label tracks “demo” when they weren’t up to snuff.  It was never planned; f I was embarrassed to share something I made, I used “demo” as a qualifier, thereby excusing all mistakes. Nowadays I have a better grasp of what a demo is.  It’s a rough take of the  finished song, not intended as a final product, but a necessary step

If you’re savvy to Minnesota music, chances are you’ve heard of Trampled by Turtles.  Hailing from Duluth, this blue-grass and folk band has released 8 albums and 7 music videos. They’ve played countless festivals, performed on David Letterman (twice), and held a Top 10 spot on the bluegrass charts for 52 weeks.  David Simonett, guitarist and vocalist for the group, visited MSU Mankato and sat down with some classes. I hadn’t heard of Martin Zellar before he came to school, b

It’s pretty common for people to believe that there’s a time limit when it comes to making art.  “If you haven’t done it by x, then it’s not gonna happen,” as if these things had expiration dates like milk or something.  We romanticize the past, particularly when it comes to what we didn’t do that we should have.  It’s painful.  Rather than cut our losses and do it now, we believe in a magical time that no longer exists.  “Well, it’s too late.” I’m not talking about “making i

When people talk about getting into the arts, there’s usually a few cities that come up.  Los Angeles, Nashville, New York.  Big cities, vibrant cities, cities with people who are great at what you want to be great at.  My field is music, but this applies to all art forms.  A big city has a lot to offer, but do the pros outweigh the cons?  We talked about this in class and I thought it would be a great topic to blog.  My own experiences are limited, but I’ll share some observ

I had the opportunity to share one of my songs in class and have it critiqued.  The song was pretty much done; I just needed to re-track the vocals, add some layers, and finish mixing. As soon as he pressed play, my teacher noticed some issues that I hadn’t.  The acoustic guitar and drums were not vibing.  Everything was performed on time, but they had opposing feels.  Basically, I had written a guitar part without drums in mind, and when drums were added they didn’t fit.  Ra

Lots of people are afraid to start something on the grounds they won’t be any good.  I’m that way.  We’re usually right about it too, but the problem is that if you don’t start you won’t get any better.  There’s a quote attributed to Carl Jung (I couldn’t find the source), “The fool is the precursor to the savior.” If you’re not willing to be bad, you’ll never be great. You have to be willing to fail until you succeed.  That’s all that practice really is.  I’m taking piano le

Ari Herstand is an LA-based singer-songwriter, blogger, and actor.  He graduated with a degree in music business from McNally Smith College of Music in Saint Paul, Minnesota.  After conquering the Twin Cities scene, Herstand moved to California and made his name there.  In this book, Ari shares his first-hand experience. He breaks down booking, touring, planning a release, recording, crowdfunding, and just about anything else you’d want to know.  He also demystifies Performan

When I tell people I’m going to school for music, they often assume I want be a rock star, or at the very least a full-time musician.  For a lot of students that’s the case and that’s fine, but it’s not what I want.  In his book, How to Make It in the New Music Business, Ari Herstand writes, “It all depends on what your idea of success is.  And no one can define what success is but you.  Remember that.”  (Herstand 29). Derek Sivers, founder of CD Baby, puts it like this: “We

Eddie Van Halen is famous for his tapping technique, but he wasn’t the first to do it.  In fact, hundreds of years before “Eruption,” Niccolò Paganini (1782 – 1840) used a similar technique on his violin.  Jazz guitarists in the 50s and 60s did it, and Italian musician, Victorio Camadese, tapped extensively on his classical.  Van Halen changed the game by applying it to distorted, electric guitar. Skrillex is often called the inventor of dubstep, but the genre originated in L